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| Rating: |
   
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| Run Time: |
112 min |
| MPAA Rating: |
PG |
| Released: |
1991 |
| Directors: |
Albert Brooks
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| Genre/Type: |
Comedy
Fantasy
Satire
Romantic Comedy
Heaven-Can-Wait Fantasies
Fantasy Comedy
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| Producers: |
Michael Grillo
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Plot Synopsis by Mark Deming
Albert Brooks wrote, directed, and stars in this philosophical comedy about a man having a hard time making a case for himself in the afterlife. When advertising executive Daniel Miller (
Albert Brooks) finds himself in a fatal car crash minutes after taking delivery on a new BMW, he's whisked away to Judgment City, where the recently dead are put on a sort of trial to decide their fate. If in your time on Earth you were able to face your fears and learn from your mistakes, you get to move on to a life in a better world. However, if you didn't, you have to go back to Earth and try again. As he spends the next several days watching various episodes from his life, Daniel gets the impression he doesn't stand much of a chance of moving on -- and his representative, Bob Diamond (
Rip Torn), seems to have little confidence in his case. In the meantime, he frequents Judgment City's many restaurants (where the food is delicious and you can eat all you want without gaining an ounce), pays a visit to the Past Life Pavilion, and meets Julia (
Meryl Streep), who seems so kind, sweet, and noble that her advancement is practically assured. Daniel and Julia fall in love, but what's going to happen if they don't end up in the same place?
Albert Brooks and
Meryl Streep make a witty and engaging romantic team in Defending Your Life, and
Shirley MacLaine appears in a highly appropriate cameo.
Enchanting, always funny, sometimes hilarious, and featuring a surprisingly light comic performance from the ever adaptable
Meryl Streep, this is the most likeable and endearing comedy to date for writer/director/star
Albert Brooks. His satirical edge, so sharp in his three previous films --
Real Life (1979),
Modern Romance (1981), and
Lost in America (1985) -- seems at first glance to have been dulled, even if his funny bone is still in perfect working order. But Brooks is still mocking the human race; it's just that his humor has become gentler, suggesting that his longtime bitterness has evolved into a bemused, perceptive wisdom. Those who have become addicted to the Brooks oeuvre and its underlying neurotic cynicism might be dismayed that their favorite artistic pessimist has created a film that can be labeled heartwarming. But most Brooks fans will be delighted to find intact the brand of raw, naked honesty about the writer/director's own shortcomings they expect, treated with a tender forgiveness that's a new development to be sure, but an entirely welcome one. Peopled with memorable supporting players (particularly
Rip Torn as a gruff but amiable legal eagle), and overflowing with creative ideas about the afterlife and its machinations, Defending Your Life amounts to a must-see film from one of the funniest, most under-appreciated filmmakers of our time.