|
| Rating: |
   
|
| Run Time: |
137 min |
| MPAA Rating: |
R |
| Released: |
1977 |
| Directors: |
Sidney Lumet
|
| Genre/Type: |
Drama
Psychological Drama
|
| Producers: |
Elliott Kastner
Lester Persky
|
Plot Synopsis by Hal Erickson
Richard Burton plays a psychiatrist who attempts to discover why young
Peter Firth has taken to mutilating live horses. In probing Firth's psyche, Burton discovers that the source of the boy's obsession is his mother,
Joan Plowright, who has raised Firth with a convoluted set of values. Even as he gets closer to the reason behind Firth's horrendous acts, Burton discovers many previously locked-away secrets within himself. Equus was based on the play by Peter Schaffer who received an Academy Award Nomination for his adapted screenplay.
| Actors |
Character |
Born |
| Richard Burton |
Dr. Martin Dysart |
Nov 10, 1925 in Pontrhydyfen, South Wales, UK |
| Peter Firth |
Alan Strang |
Oct 27, 1953 in Bradford, Yorkshire, England, UK |
| Colin Blakely |
Frank Strang |
Sep 23, 1930 in Bangor, County Down, Northern Ireland |
| Joan Plowright |
Dora Strang |
Oct 28, 1929 in Brigg, England |
| Harry Andrews |
Harry Dalton |
|
| Eileen Atkins |
Hesther Saloman |
Jun 16, 1934 in London, England |
| Jenny Agutter |
Jill Mason |
Dec 20, 1952 in Taunton, Devonshire, England |
| John Wyman |
The Horseman |
|
| Kate Reid |
Margaret Dysart |
Nov 4, 1930 in London, England, UK |
| Sheldon Rybowski |
First Child |
|
| Patrick Brymer |
Patient |
|
| James Hurdle |
Mr. Davies |
|
| Ken James |
Mr. Pearce |
|
| Karen Pearson |
Mary |
|
| David Gardner |
Dr. Bennett |
|
| Elva Mai Hoover |
Miss Raintree |
|
In
Sidney Lumet's cinematic adaptation of Peter Shaffer's psychological drama Equus,
Richard Burton must portray a psychiatrist who has lost faith in himself. He is a hollowed-out man in a stultifying marriage who no longer believes that his work with severely troubled teenagers does any good whatsoever. He is savvy enough to understand what is happening to him, but is still unable to rouse himself out of his malaise. Burton inhabits this character with such sadness and such self-directed anger that it is easy to see why many people consider this his last great performance. Shaffer's screenplay allows Burton to have a handful of very showy monologues presented by Lumet directly into the camera and a series of more subtle exchanges with the troubled young man played by
Peter Firth. Burton's face, which was showing the effects of years of heavy alcohol use, looks heavy and it gives the performance a gravitas that dominates the drama -- so much so that it is easy to forget about Firth's patient when he is offscreen. More than most directors, Lumet has a knack for bringing stage material to the screen. He respects the theatrical aspects of the piece, while still making it cinematic. His skills do not fail him here. In an opening flash-forward, Lumet allows the audience to see how distraught Burton's character will become before he reveals the patient. And the horses are gloriously photographed, as if the audience is allowed to see them as Firth's character does. Equus is an accomplished piece of no-frills filmmaking, elevated by an outstanding lead performance.