Jeunesse Doree (
Gilded Youth) is an enjoyable and well-made coming-of-age movie. But in her scrupulous efforts to avoid cliché and melodrama, writer-director Zaida Ghorab-Volta has made a film that's somewhat slight and episodic. Lacking any real drama or narrative drive, it fades from the memory quickly once it's over. The two leads, Alexandra Jeudon as Gwenaelle and Alexandra Laflandre as Angela, deliver strong, sympathetic performances, and one of the film's great strengths is its portrayal of the gentle shifts their relationship undergoes over the course of their journey. Laflandre embodies Angela's edgy beauty and her openness, while the moon-faced Jeudon is a darker, quieter presence. She manages to make Gwenaelle's social unease and cynicism quite appealing. The film picks up momentum in the last half-hour, when Gwen and Angela briefly stop their exploration for a stay with a group of handsome, idealistic lumberjacks. They gently challenge Gwen's knee-jerk standoffishness, and she responds with amusing defensiveness. The men momentarily threaten to cause a rift in the girls' friendship. When Gwen and Angela get back out on the road, their relationship having weathered the storm, the film has earned the note of joyful release on which it ends.