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| Rating: |
   
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| Run Time: |
98 min |
| MPAA Rating: |
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| Released: |
1964 |
| Directors: |
Arthur Hiller
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| Genre/Type: |
Comedy
Romantic Comedy
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| Producers: |
Stanley Crea Rubin
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Plot Synopsis by Mark Deming
A woman has to choose between the rich man she wants and the bohemian type who loves her in this comedy. Michele O'Brien (
Leslie Caron) is a young widow raising a baby in Greenwich Village. She's decided that her child needs a father, and she determines that her best bet as a prospective mate is Dr. Phillip Brock (
Robert Cummings), a well-heeled child psychologist. The only trouble is, Phillip doesn't like children very much, so Michele tries to keep her baby a secret from him. Michele's upstairs neighbor, Harley Rummell (
Warren Beatty), is in love with her and is more than happy to baby-sit; however, Harley makes his living shooting nudie films in his flat, and when the baby begins making cameo appearances in the films, Michele starts wondering if Harley might be a bad influence on the tyke.
William Peter Blatty, later to write the best-selling novel
The Exorcist, penned the screenplay. Keep an eye peeled for a young
Donald Sutherland in a bit part.
While far from a classic, Promise Her Anything is a surprisingly appealing little sex comedy. Once one gets used to the fact that the all-important child in the plot (winningly played by the mostly silent Michael Bradley) is really nothing more than a device -- and therefore one needn't really worry about how often his mother misplaces him or whether
Warren Beatty should be using him in his "titillating" mail-order movies -- there's actually a lot to enjoy in this mindless, but well-played, piece of fluff. Start with the cast, especially the trio of leads. Beatty is working in a delightfully "light" mode, and the result is one of his most effortlessly charming performances. Beatty manages the difficult trick of placing just enough weight on the silly plot turns to make them seem believably important, but not so much that they weigh the picture down. His partner in these escapades,
Leslie Caron matches his tone beautifully and the two have a pleasant rapport that adds to the fun of the proceedings.
Robert Cummings rounds out the triumvirate, mixing his innate niceness with just the right degree of priggishness. The supporting cast, especially the droll
Hermione Gingold and the brassy Asa Maynor, is also first-rate. Director
Arthur Hiller keeps things breezy and oh-so-1960s, and
William Peter Blatty's screenplay is efficient, even if it is dated and unmemorable. Throw in
Tom Jones singing a groovy little Bacharach-David ditty, and the result is an inconsequential, but agreeable, little movie.