|
| Rating: |
   
|
| Run Time: |
86 min |
| MPAA Rating: |
PG |
| Released: |
1976 |
| Directors: |
Mel Brooks
|
| Genre/Type: |
Comedy
Absurd Comedy
Slapstick
Parody/Spoof
|
| Producers: |
Michael Hertzberg
|
Plot Synopsis by Hal Erickson
Silent Movie is just that: a totally nonverbal comedy, save for one single line. Director
Mel Brooks stars as a once-famous comedy director, who with his faithful assistants
Dom DeLuise and
Marty Feldman return to Hollywood with plans for a comeback. Brooks wants to return to the good old days by producing a silent movie (he explains this via subtitle). Producer
Sid Caesar is agreeable, provided Brooks can line up top stars. In a series of vignettes better seen than described, Brooks persuades
Burt Reynolds, Liza Minelli,
Paul Newman,
James Caan and
Anne Bancroft (Brooks' real-life wife) to star in his project. The only holdout is mime
Marcel Marceau, who after a few moments of walking against the wind shouts the film's solitary line: "No!" Meanwhile, the crooked executives of the Engulf and Devour conglomerate want to take over Caesar's studio and are worried that Brooks' film might be so huge a hit that Caesar won't be interested in selling. To prevent this, the conglomerate dispatches sexy
Bernadette Peters to lure Brooks into drink and ruination. The film's climax is lifted from the 1943 Olsen and Johnson film
Crazy House). Featured in brief comic cameos are
Harry Ritz as the man with half a suit, Charlie Callas as the blind man, Dom DeLuise's wife, Carol Arthur, as the incredibly pregnant woman,
Fritz Feld as the headwaiter (whose trademarked "Pop" is conveyed on a subtitle) and
Henny Youngman as the diner with a fly in his soup. Co-writers Ron Clark, Rudy DeLuca and
Barry Levinson also show up on screen as three of the Engulf & Devour minions.
| Actors |
Character |
Born |
| Mel Brooks |
Mel Funn |
Jun 28, 1926 in Brooklyn, New York City, NY |
| Marty Feldman |
Marty Eggs |
Jul 8, 1933 in London, England |
| Dom DeLuise |
Dom Bell |
Aug 1, 1933 in Brooklyn, New York City, NY |
| Bernadette Peters |
Vilma Kaplan |
Feb 28, 1948 in Queens, New York City, NY |
| Sid Caesar |
Studio Chief |
Sep 8, 1922 in Yonkers, New York City, NY |
| Harold Gould |
Engulf |
Dec 10, 1923 in Schenectady, NY |
| Ron Carey |
Devour |
Dec 11, 1935 in Newark, NJ |
| Carol Arthur |
Pregnant Lady |
Aug 4, 1935 in Hackensack, NJ |
| Fritz Feld |
Maitre d' |
Oct 15, 1900 in Berlin, Germany |
| Patrick Campbell |
Motel Bellhop |
|
| Charlie Callas |
Blind Man |
|
| Henny Youngman |
Fly-In-Soup Man |
Jan 12, 1906 in Liverpool, England |
| Eddie Ryder |
British Officer |
|
| Al Hopson |
Executive |
|
| Rudy de Luca |
Executive |
|
| Barry Levinson |
Executive |
Apr 6, 1942 in Baltimore, MD |
| Actors |
Character |
Born |
| Howard Hesseman |
Executive |
Feb 27, 1940 in Lebanon, OR |
| Lee Delano |
Executive |
|
| Jack Riley |
Executive |
Dec 30, 1935 in Cleveland, OH |
| Sivi Aberg |
Beautiful Blonde |
Mar 7, 1944 in Gavle, Sweden |
| Erica Hagen |
Beautiful Blonde |
|
| Robert Lussier |
Projectionist |
|
| Valerie Curtin |
Intensive Care Nurse |
Mar 31, 1945 in New York City, NY |
| Inga Neilsen |
Beautiful Blonde |
|
| Arnold Soboloff |
Acupuncture Patient |
|
| Yvonne Wilder |
Studio Chief's Secretary |
|
| Liza Minnelli |
Herself |
Mar 12, 1946 in Los Angeles, CA |
| Harry Ritz |
Man from Tailor Shop |
May 22, 1907 in Newark, NJ |
| Paul Newman |
Himself |
Jan 26, 1925 in Cleveland, OH |
| Anne Bancroft |
Herself |
Sep 17, 1931 in Bronx, New York City, NY |
| Burt Reynolds |
Himself |
Feb 11, 1936 in Lansing, MI |
| James Caan |
Himself |
Mar 26, 1939 in Bronx, New York City, NY |
Silent Movie is not
Mel Brooks's best film, but it may be his sweetest. There's a touching innocence about most of this film, as well as a sense of playfulness that's rather endearing. The trio of characters at the core of the film are essentially childlike in nature, and with no "dialogue" to speak of, there's little room for the raunchiness or crassness that is often found in other Brooks films. (One notable, and hysterical, exception, is the reaction of the Engulf & Devour Board of Directors to
Bernadette Peters' Vilma Kaplan. Brooks uses the title cards to good effect, as when
Marcel Marceau's ringing phone is accompanied by a "Sonnez" title card or when some clearly off-color remarks are translated in a bowdlerized version. And, of course, there are a plethora of sight gags, some of which work, some of which do not. (The ping-pong game on the life support screen being a good example of the former.) On the down side, too many of the gags are a bit predictable, and the episodic nature of the piece makes it drag somewhat. The very sweetness of the film also seems to water down the humor somewhat; there are not as many laughs as one would expect from a silent movie comedy, especially with this cast. Still, it's always enjoyable, and Brooks deserves credit for trying something as different as a silent movie in the first place.