|
| Rating: |
   
|
| Run Time: |
92 min |
| MPAA Rating: |
R |
| Released: |
2005 |
| Directors: |
Jason Reitman
|
| Genre/Type: |
Comedy
Satire
|
| Producers: |
David Sacks
|
Plot Synopsis by Perry Seibert
The directorial debut from
Jason Reitman, the media satire Thank You for Smoking stars
Aaron Eckhart as Nick, a man who has turned spinning news and information into a successful career for the tobacco lobby. He plots strategies with his colleagues (
Maria Bello and
David Koechner) on how to make other dangerous products more appealing to the American public. Nick ends up going to Hollywood with his young son (
Cameron Bright) in order to get a movie producer to include characters smoking in his newest film. Nick is kidnapped by a vigilante group concerned about the harmful nature of his product. The cast includes
William H. Macy as a Senator who runs on a strong anti-tobacco position,
Rob Lowe as the Hollywood bigwig, and
Robert Duvall as the king of the tobacco industry. The film is an adaptation of the novel of the same name by Christopher Buckley.
| Actors |
Character |
Born |
| Aaron Eckhart |
Nick Naylor |
Mar 12, 1968 in Santa Clara County, CA |
| Maria Bello |
Polly Bailey |
Apr 18, 1967 in Norristown, PA |
| Cameron Bright |
Joey Naylor |
|
| Adam Brody |
Jack |
|
| Sam Elliott |
Lorne Lutch |
Aug 9, 1944 in Sacramento, CA |
| Katie Holmes |
Heather Holloway |
Dec 18, 1978 |
| David Koechner |
Bobby Jay Bliss |
|
| Rob Lowe |
Jeff Megall |
Mar 17, 1964 in Charlottesville, VA |
| William H. Macy |
Senator Ortolan Finistirre |
Mar 13, 1950 in Miami, FL |
| J.K. Simmons |
BR |
Jan 9, 1955 |
| Robert Duvall |
The Captain |
Jan 5, 1931 in San Diego, CA |
| Kim Dickens |
Jill Naylor |
|
| Connie Ray |
Pearl |
Jul 10, 1956 in Orange County, NC |
| Todd Louiso |
Ron Goode |
|
| Karen Harrison |
Nurse |
|
| Timothy Dowling |
EGO Assistant |
|
Jason Reitman's adaptation of Thank You for Smoking aims its satirical slings at something much bigger than the smoking lobby.
Aaron Eckhart's Nick Naylor gleefully manipulates everyone and everything in his path. While the film gets huge laughs from the audacious (though not quite totally unbelievable) sentiments Naylor expresses on behalf of the tobacco industry, it also gives this media Machiavelli a heart simply by showing that his ability to shape an argument isn't something he has to work on or think about -- it comes to him naturally. Some might think he is soulless, but it would be more accurate to say that spinning is his soul. The film would work if it settled for just mocking big business, but it actually analyzes how someone who instinctually spins the truth can still live an honorable life. Even more refreshing is that Naylor never really once questions what he does. He certainly goes through a rough patch of self-pity, but never once does he regret what he does or consider how what he is doing affects others. He is a man naturally suited to having this job in this day and age. A lazy actor would have simply amped up the smarm factor playing Naylor, but Eckhart plays the character with pride. That pride makes him engaging and even somewhat sympathetic. With one strong, unique lead character, Reitman is able to serve up big laughs while commenting on the nature of public discourse in the age of media saturation.