|
| Rating: |
   
|
| Run Time: |
86 min |
| MPAA Rating: |
|
| Released: |
1960 |
| Directors: |
Terence Fisher
|
| Genre/Type: |
Horror
Costume Horror
|
| Producers: |
Anthony Hinds
|
Plot Synopsis by Cavett Binion
Hammer Films and director Terence Fisher followed the excellent Horror of Dracula with this well-made, richly-colored sequel which suffers only from the conspicuous lack of Dracula himself -- since
Horror's
Christopher Lee had declined participation in further Dracula sequels for the time being. In his stead, we have young, blond Baron Meinster (David Peel) providing the requisite vampiric threat. Though imprisoned in the family estate by his mother, Meinster is released from his silver chains by an unsuspecting French teacher (Yvonne Monlaur), through which he gains access to a veritable smorgasbord of nubile wenches at a girls' school. Fortunately, master vampire killer Dr. Van Helsing (
Peter Cushing) is on the case. Besides featuring some of the best acting, photography and period detail of the Hammer Dracula series, this is also one of the first to delve into the more sexual aspects of vampirism, with implicit suggestions of incest, sadomasochism and homosexuality.
| Actors |
Character |
Born |
| Peter Cushing |
Dr. Van Helsing |
May 26, 1913 in Kenley, Surrey, England |
| Martita Hunt |
Baroness Meinster |
Jan 30, 1900 in Argentina |
| Yvonne Monlaur |
Marianne |
|
| Freda Jackson |
Greta |
Dec 29, 1909 in Nottingham, England |
| David Peel |
Baron Meinster |
|
| Miles Malleson |
Dr. Tobler |
May 25, 1888 in Croydon, England |
| Henry Oscar |
Herr Lang |
|
| Mona Washbourne |
Frau Lang |
Nov 27, 1903 in Birmingham, England |
| Andree Melly |
Gina |
Sep 15, 1932 in Liverpool, England |
| Victor Brooks |
Hans |
|
| Fred Johnson |
Cure |
|
| Michael Ripper |
Coachman |
|
| Norman Pierce |
Landlord |
|
| Vera Cook |
Landlord's Wife |
|
| Marie Devereaux |
Village Girl |
|
| Harold Scott |
Severin |
|
Dracula fans should be warned that the good Count appears nowhere in The Brides of Dracula. But the legendary vampire's absence does not prevent Brides from being a crackling good horror yarn, a vintage Hammer scarefest that may not be a great film but nevertheless is great fun. The flaws are typical of the genre, namely that the screenplay often sacrifices credibility for expediency. Characters behave as they only do in horror films, neglecting basic rules of safety and common sense so that the plot can move along. But if one can accept these shortcomings, one can have a very fine time, as the screenplay is structured along well made lines and provides plenty of marvelous scenes. Director Terence Fisher plays to the script's strengths, making all of the "money" scenes pay off and downplaying the weaker segments so that they come across more as welcome respites than as "screen waits." True, Fisher's florid style may not please all who appreciate subtlety, but it's just what is called for in Brides. And he makes those key scenes -- Van Helsing's self-cure of a vampire bite, the Baroness' plea, the escape from the grave and the climactic sequence -- quite memorable. David Peel can't compare to
Christopher Lee in the vampire department, but he's more than adequate, and
Peter Cushing is very welcome as Van Helsing.