|
| Rating: |
   
|
| Run Time: |
120 min |
| MPAA Rating: |
R |
| Released: |
1995 |
| Directors: |
Sean Penn
|
| Genre/Type: |
Drama
Psychological Drama
Addiction Drama
Urban Drama
|
| Producers: |
Sean Penn
David Shamroy Hamburger
|
Plot Synopsis by Mark Deming
Sean Penn wrote and directed this tale of loss, guilt, and revenge. The daughter of Freddy and Mary Gale (
Jack Nicholson and
Anjelica Huston) was killed by a drunk driver, John Booth (
David Morse). The death of their child took a heavy toll on the Gales; their marriage broke up, and, while Mary has remarried and attempted to put her life back together, Freddy has become an embittered alcoholic, seething with directionless rage and searching for a purpose in life. Freddy intends to kill Booth as soon as he's released from prison, as he believes that jail was not a severe enough punishment for his daughter's death. But Freddy discovers that Booth is still wracked with guilt for his crime and can barely live with himself. He tells Booth that he has three days left to live; Booth tries to find solace in the arms of artist Jojo (Robin Wright), while Freddy continues to wallow in alcohol and self-pity at a strip club. The Crossing Guard also features an original song by Bruce Springsteen; Penn's previous directorial outing,
The Indian Runner, was loosely based on a Springsteen song from his album Nebraska.
| Actors |
Character |
Born |
| Jack Nicholson |
Freddy Gale |
Apr 22, 1937 in Neptune, NJ |
| David Morse |
John Booth |
Oct 11, 1953 in Beverly, MA |
| Anjelica Huston |
Mary |
Jul 8, 1951 in Santa Monica, Los Angeles, CA |
| Robin Wright Penn |
Jojo |
Apr 8, 1966 in Dallas, TX |
| Piper Laurie |
Helen Booth |
Jan 22, 1932 in Detroit, MI |
| Richard Bradford |
John Booth's father |
|
| Kellita Smith |
Tanya |
|
| Jennifer Leigh Warren |
Jennifer |
|
| Eileen Ryan |
Woman in Shop |
|
| Nicky Blair |
Himself |
Jul 26, 1926 |
| Jeff Morris |
Silas |
|
| Karen Medak |
|
|
| Michael Abelar |
Bum |
|
| Erin Dignam |
Peter's Guest 1 |
|
| Penny Allen |
Woman on Bus |
|
| John Savage |
Bobby |
Aug 25, 1949 in Old Bethpage, Long Island, NY |
| Actors |
Character |
Born |
| Christel Ehde |
Dancer |
|
| Ryo Ishabashi |
Jefferey |
|
| Jay Koiwai |
Asian Man |
|
| Randy Meadoff |
Bus Passenger |
|
| Leo Penn |
|
Aug 27, 1921 in Lawrence, MA |
| Robbie Robertson |
Roger |
Jul 5, 1943 in Toronto, Ontario, Canada |
| Matthew Ryan |
Twin Boy |
|
| Dennis "Chicago" Fanning |
Cop |
|
| Joe Viterelli |
Joe at Bar |
Mar 10, 1941 in The Bronx, New York City, NY |
| David Baerwald |
Peter |
|
| Grant Show |
Jake Hanson |
Feb 27, 1962 in Detroit, MI |
| Kari Wuhrer |
Mia |
Apr 28, 1967 in Brookfield, CT |
| Joseph Bottoms |
|
Apr 22, 1954 in Santa Barbara, CA |
| Priscilla Barnes |
Verna |
Dec 7, 1955 in Fort Dix, NJ |
| Buddy Anderson |
Buddy |
|
| Daysi Moreno |
Freddy's Chicana |
|
Sean Penn's occasionally preachy, but ultimately complicated and challenging, take on the repercussions of drunk driving, both for the victims and the offenders, is a dark study in anguish and redemption. Talented actors were clearly eager to work with the mercurial second-time director, and Penn gets harrowing performances out of
Jack Nicholson and Angelica Huston, as well as a touchingly chastened one from
David Morse as the paroled drunk driver. A simpler film would have demonized Morse as an unrepentant sinner, but Penn is more interested in shades of gray in this brooding look at characters who have randomly developed a regrettable relationship with each other. In fact, Nicholson, as the grieving father, is the film's most unbalanced and least sympathetic element, while the halo above Morse's head is almost visible. The lingering impact on all of their lives is achingly rendered, and Penn deserves credit for dramatizing the festering anger and resentment rather than the predictable hopeless sadness that would have dominated had the narrative started right after the accident. Some critics chided Penn for choosing an issue more commonly befitting an after-school special, but the deep performances excuse the topical subject matter, and the execution hints at Penn's promise beyond the field of acting, which he apparently dislikes.