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| Rating: |
   
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| Run Time: |
102 min |
| MPAA Rating: |
R |
| Released: |
2005 |
| Directors: |
John Maybury
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| Genre/Type: |
Thriller
Psychological Thriller
Supernatural Thriller
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| Producers: |
George Clooney
Peter Guber
Steven Soderbergh
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Plot Synopsis by Mark Deming
A troubled war veteran tries to unlock his memories of a terrible crime in this stylish thriller, the first American project for British filmmaker John Maybury. In 1991, Jack Starks (
Adrien Brody) was an American soldier serving in the Persian Gulf when he was shot in the head; pronounced dead by a field surgeon, Starks somehow returned to life, though with no small number of psychological problems to show for his troubles. A year later, Starks is walking through the snowy Vermont wilderness when he discovers a woman whose truck has broken down, Jean (
Kelly Lynch). Starks tries to help Jean and her young daughter, and later flags down a car for a ride into town; however, the car is being driven by a criminal on the run from the police (
Brad Renfro), and not long after the car is cornered by police, Starks' memory goes blank. When he comes to, Jack is accused of killing a patrolman in the violent standoff that followed, and is told the woman, her daughter, and the criminal existed only in his imagination. Declared insane in his murder trial, Starks is sentenced to a mental institution run by Dr. Becker (
Kris Kristofferson), who seems to believe that the more brutal the treatment, the better. As Starks suffers frequent beatings and long spells in a frozen locker, his mind drifts from his harrowing past into the future, where he visits with Jackie (
Keira Knightley), who once was the young girl Starks tried to help. The Jacket also features
Jennifer Jason Leigh as Dr. Lorenson, a compassionate doctor who tries to help Starks and his fellow patients.
Relentlessly stylish, The Jacket is nonetheless a fairly standard whodunit about mental hospital abuse, the Gulf War, and time travel. That's a joke, but it's true that nothing feels quite new in this otherwise solid production -- which to be built from original parts, or at least parts that haven't been lumped together before. There's certainly enough in John Maybury's film to keep a viewer interested, particularly the flashy edits and sudden close-ups that approximate the henpecked delusions of Gulf vet Jack Starks (
Adrien Brody). But Massy Tadjedin's script doesn't provide a sublime payoff for its foreboding plot details. One crucial episode never gets resolved, which is fine in the real world, but not so fine in the time travel genre, where even minor details typically have a divine purpose. Although it doesn't quite get there, The Jacket is worth watching for the strong performances of Brody and
Keira Knightley. Brody gets the shell-shocked quivering down perfectly, playing a man caught in a purgatory between alertness and fugue, sanity and breakdown. The "treatments" he undergoes -- at the hands of a casually malevolent
Kris Kristofferson -- are an eerie criticism of institutions whose corruption goes unchecked, because the patients are as likely to be raving conspiracy theorists as credible victims. Knightley, meanwhile, shows she's as comfortable in dark territory as she has been in her previous sunny roles. Despite heavy hitters
George Clooney and
Steven Soderbergh lending their cachet as producers, The Jacket slipped out of theaters after collecting only six million dollars at the box office.