|
| Rating: |
   
|
| Run Time: |
120 min |
| MPAA Rating: |
R |
| Released: |
1997 |
| Directors: |
Brian Gilbert
|
| Genre/Type: |
Drama
Period Film
Biopic [feature]
Gay & Lesbian Films
|
| Producers: |
Peter Samuelson
Marc Samuelson
|
Plot Synopsis by Rebecca Flint Marx
Literary genius, legendary wit, bon vivant, and gay martyr, Oscar Wilde was a man whose legend has grown to iconic proportions since his death at the beginning of the 20th century. Establishing Wilde (
Stephen Fry) as a loving family man, complete with a wife (
Jennifer Ehle) and two adorable sons, the film takes pains to portray him as a dignified genius who was as pained by what he considered his own sin -- his homosexuality -- as he was delighted by the sins of others. From his initial encounters with Robbie Ross (
Michael Sheen), his first male lover, through his tragic affair with the beautiful and bratty Alfred Lord Douglas (a perfectly cast
Jude Law), Wilde is seen as a conflicted fellow, warring with his own urges even as he dazzles everyone around him.
| Actors |
Character |
Born |
| Stephen Fry |
Oscar Wilde |
Aug 24, 1957 in London, England |
| Jude Law |
Lord Alfred Douglas |
Dec 29, 1972 |
| Vanessa Redgrave |
Wilde's Mother |
Jan 30, 1937 in London, England, UK |
| Jennifer Ehle |
Constance Lloyd |
Dec 29, 1969 |
| Gemma Jones |
Lady Queensberry |
Dec 4, 1942 in London, England, UK |
| Judy Parfitt |
Lady Mount-Temple |
Nov 7, 1935 in Sheffield, Yorkshire, England, UK |
| Michael Sheen |
Robbie Ross |
|
| Zoƫ Wanamaker |
Ada |
May 13, 1949 in New York, NY |
| Tom Wilkinson |
Marquess of Queensberry |
Dec 12, 1948 |
| Ioan Gruffudd |
John Gray |
Oct 6, 1973 in Cardiff, Wales |
Instead of focusing on Oscar Wilde's career accomplishments, Brian Gilbert's Wilde largely concerns itself with the tragic relationship with Douglas, or Bosie, as he was called. Great pains are taken to record Wilde's downfall, catalyzed by scandalous sodomy charges brought against him by Bosie's father, the loathsome Marquess of Queensberry (
Tom Wilkinson). By focusing on Wilde's trial and imprisonment, the film makes him out to be more of a gay martyr than a brilliant wit and playwright. This approach results in a somewhat incomplete portrayal, but Wilde is inarguably well served by
Stephen Fry's characterization. Hulking, refined, and bearing more than a passing resemblance to the character he inhabits, Fry gives a performance marked by wit, passion, and surpassing dignity.