As one of the most impressively talented members of the emerging New Hollywood of the early 21st century, Reese Witherspoon has proven that she can do far more than just pose winsomely for the camera. Born March 22, 1976, in Nashville, TN, Witherspoon was a child model and acted in television commercials from the age of seven. She had a part in the 1991 Lifetime cable movie
Wildflower before making her 1991 film debut in the coming-of-age story
The Man in the Moon (1991). The 14-year-old Witherspoon made an immediate impact on critics and audiences alike, netting widespread praise for her portrayal of a tomboy experiencing love for the first time.
While still in high school, Witherspoon completed two more feature films,
Jack the Bear (1993), starring Danny De Vito, and Disney's
A Far Off Place (1993), which required the actress to spend several months living in the Kalahari Desert. Following a supporting role in the 1993 CBS miniseries
Return to Lonesome Dove and a lead in the critically disembowelled
S.F.W., Witherspoon temporarily set aside her career to study English literature at Stanford University. She then returned to film as the abused girlfriend of a psychotic
Mark Wahlberg in the thriller
Fear (1996). In the same year, she had to deal with yet another crazed male in
Freeway, a satirical version of Little Red Riding Hood in which Witherspoon co-starred with
Kiefer Sutherland, who took on the role of the aforementioned crazed male.
Her career began to take off in 1998, with roles in two high-profile films. The first,
Twilight, saw her sharing the screen with
Gene Hackman,
Susan Sarandon, and
Paul Newman. The film received mixed reviews and lackluster box office, but
Pleasantville, her other project that year, proved to be both a critical and financial hit. The actress won wide recognition for her leading role as
Tobey Maguire's oversexed sister, and this recognition -- along with critical respect -- increased the following year with another leading role, in
Alexander Payne's acclaimed satire
Election. Starring opposite
Matthew Broderick, Witherspoon won raves for her hilarious, high-strung portrayal of student-council presidential candidate Tracy Flick. The character stood in stark contrast to the one Witherspoon subsequently portrayed in
Cruel Intentions, Roger Kumble's delightfully trashy all-teen update of
Dangerous Liaisons. As the virginal Annette, Witherspoon was convincing as the object of
Ryan Phillippe's reluctant affection, perhaps due in part to her real-life relationship with the actor, whom she married in June 1999.
After turning up in an amusing minor role as serial killer Patrick Bateman's burnt-out yuppie girlfriend in
American Psycho (2000), Witherspoon again pleased critics and audiences alike with her decidedly Clueless-esque role in 2001's
Legally Blonde. Her star turn as a seemingly dimwitted sorority blonde-turned-Harvard law-school-prodigy unexpectedly shot the featherweight comedy to number one, despite such heavy summer contenders as
Steven Spielberg's A.I. and the ominously cast heist thriller
The Score. The 18-million-dollar film went on to gross nearly 100 million dollars, proving that Witherspoon had finally arrived as a box-office draw.
Though she would test out her chops in the Oscar Wilde adaptation
The Importance of Being Earnest, Witherspoon's proper follow-up to
Legally Blonde came in the form of 2002's
Sweet Home Alabama, a culture-clash romantic comedy as embraced by audiences as it was rejected by critics. As with
Drew Barrymore before her, Witherspoon used her newfound standing among the Hollywood elite to start her own production company, Type A Films, as well as to up her asking price to the rarefied 15-million-dollar range for the sequel to
Legally Blonde. Though Blonde 2 didn't perform quite as well as the first film, the power player/doting mother of two wasted no time in prepping other projects for the screen, taking the lead in 2004's elaborate costume drama
Vanity Fair as Becky Sharp, a woman who strives to transcend class barriers in 19th century England. For all its lavish costumes and sets,
Vanity Fair received mixed reviews, but Witherspoon's winning performance still garnered praise.
The next year, she appeared in the heaven-can-wait romantic comedy
Just Like Heaven with
Mark Ruffalo, as well as
James Mangold's biopic
Walk the Line as
June Carter Cash, wife of country music legend
Johnny Cash. This role proved to be a pivotal one, earning Witherspoon both a Best Actress Academy Award and a Golden Globe for her performance, and cementing her as an actress whose abilities go far beyond her charm and pretty face.
As with others before her, however, the Best Actress statue portended a breakup between her and her husband; in October, 2006, she and Phillippe began their divorce proceedings, shortly after his starring turn in
Clint Eastwood's
Flags of Our Fathers.