Cliff Richard album

Album   Released Publisher Rating
The World Tour (DPTV) 2004 DPTV Media
Silver (2002 Remaster) 1983 EMI Music Distribution
Wired for Sound (UK Bonus Tracks) 1981 EMI Music Distribution
I'm No Hero (Bonus Tracks) 1980 EMI Music Distribution
Green Light (Bonus Tracks) 1978 EMI Music Distribution
31st of February Street (Bonus Tracks) 1974 EMI Music Distribution
Cliff Live at the Talk of the Town (Remastered) 1970 EMI Music Distribution
The Young Ones (Bonus Tracks) 1961 EMI Music Distribution
Listen to Cliff! (EMI) 1959
Back to the topThe World Tour (DPTV)
Review by Dave Thompson, All Music Guide
Released:
April 05, 2004
Label:
DPTV Media
Rating:
Styles:
Rock & Roll
British Invasion
Contemporary Pop/Rock
Teen Idols
Early British Pop/Rock
The older an artist grows, the more he or she is likely to start pumping out the live albums -- souvenirs, every time, of what might well prove to be the last time (and proof, cynics smirk, that the legs haven't quite gone just yet). And so it is with Cliff Richard, although, as The World Tour rumbles on, it's sometimes easy to forget that you are listening to (or, on the companion DVD, watching) a man who was then staring 64 in the face. Recorded during the U.K. leg of the outing in 2003, The World Tour is predictably little more than a showcase for the "greatest hits live," although with around 125 U.K. chart singles to choose from, there is still plenty of room for surprise -- "Born to Rock 'n' Roll," from the musical Time is one such; a sugar-sweet "I Honestly Love You" is another. But the highlights are those that you could list with your ears closed -- the opening flourish of "We Don't Talk Anymore," an energetic blast through "Move It," and a bunch of '50s rockers to prove where his heart has always been. In terms of all-around action, the DVD necessarily leaves the CD in the shade -- if nothing else, it boasts more tracks. But the 14 songs on the CD can rightly claim to be the best of the batch.
Track # Track Time Composer
1 We Don't Talk Anymore 4:35 Tarney Ringtone
2 Move It 3:14 Samwell
3 What's Love Got to Do With It 3:23 Lyle, Britten
4 Let Me Be the One 4:09 Eaton
5 All Shook Up 4:19 Presley, Blackwell
6 Like Strangers 4:15 Bryant
7 I Honestly Love You 3:45 Allen, Barry
8 Some People 3:57 Tarney
9 Dreamin' 3:49 Sayer, Tarney
10 Born to Rock 'N' Roll 4:44 Soames, Daniels, Clark
11 Medley: Too Much/Don't Be Cruel 3:41 Presley, Blackwell, Weinman, Rosenberg
12 No Particular Place to Go 3:22 Berry
13 Medley: Come Go With Me/Dream Lover/Since I Don't Have You 5:27 Beaumont, Verscharen, Taylor, Rock, Vogel, Lester, Quick, Martin, Darin
14 Whole Lotta Shakin' Goin' On 4:41 David, Williams
Back to the topSilver (2002 Remaster)
Review by Bruce Eder, All Music Guide
Released:
1983
Label:
EMI Music Distribution
Rating:
Styles:
Contemporary Pop/Rock
Cliff Richard's Silver, recorded to commemorate his 25th anniversary in music, is a fairly solid if slightly inconsistent piece of early-'80s pop/rock, tinged with elements of funk and soul. Some of it is a little too languid, or predictable, or just plain tuneless for its own good, but there are also some eminently danceable tracks that might've been handled just as well by the late-'70s Bee Gees -- "Never Say Die (Give a Little Bit More)," the single off of the album, and "Silver's Home Tonight," "Baby You're Dynamite," and "The Golden Days Are Over," are enjoyable later-era Richard rockers, and balance nicely with the gorgeous ballads "Ocean Deep" and "Please Don't Fall in Love." While some of the rest seems predictable and rather clunky, other tracks, such as "Love Stealer," show valiant (if not really successful) attempts by Richard to generate a harder rocking sound. The album was reissued on CD in 2002 with two bonus tracks, both previously unanthologized B-sides from the same sessions -- "Too Close to Heaven," which is a ballad with a hard electric guitar part that's as good as anything on the original LP, and "Lucille," done in a strange arrangement that runs from minimalist synthesizer accompaniment to full band with outsized percussion, all keeping a slow, funky beat. [The CD was remastered and reissued in 2002.]
Track # Track Time Composer
1 Silver's Home Tonight 3:43 Pruess
2 Hold On 3:18 Shifrin, Britten
3 Never Say Die (Give a Little Bit More) 3:42 Britten, Shifrin
4 Front Page 3:15 Battle, John
5 Ocean Deep 5:18 Sweet, Trott
6 Locked Inside Your Prison 3:29 Heatlie
7 Please Don't Fall in Love 3:13 Batt
8 Baby You're Dynamite 3:57 Flett, Fletcher
9 The Golden Days Are Over 4:17 Shifrin, Britten
10 Love Stealer 3:38 Wainman, Myhill
11 Too Close to Heaven (*) 4:15 Batt
12 Lucille (*) 3:39 Little Richard, Collins
Price: $15.49
European reissue of the 1983 album features the original tracks. EMI. 2005.
Back to the topWired for Sound (UK Bonus Tracks)
Review by Dave Thompson, All Music Guide
Released:
1981
Label:
EMI Music Distribution
Rating:
Styles:
Rock & Roll
British Invasion
Contemporary Pop/Rock
Teen Idols
Early British Pop/Rock
With the Love Songs compilation having just returned Cliff Richard to the top of the U.K. chart and I'm No Hero having maintained the quality of his last couple of studio records, hopes were high for Wired for Sound, his first new LP of the 1980s. And, for the most part, the album lived up to those expectations. One might cringe a little at the lyrics to the title track -- the man's a musician; of course he likes listening to music. There really was no need to write a song about the fact. "'Cos I Love That Rock 'n' Roll" betrays a similar sense of built-in redundancy. Elsewhere, though, Wired for Sound continues driving into fresh (for Cliff Richard) territory, even as songs like "Say You Don't Mind," "Summer Rain," and "Young Love" restate the moody balladic parameters that he always stalked. Certainly nobody could have expected him to cover a Wreckless Eric number, but "Broken Doll" (from Eric's Big Smash album) sounds great in his hands, and one can only regret that Richard never got the chance to handle "Whole Wide World" as well -- according to Wreckless, he wanted to, but only if he could change some of the lyrics. The writer rightly refused. Alan Tarney's production is sharp and, this being the early '80s, bang up to date -- an attribute that does, sadly, tend to date the album just a little today. But it's still an enjoyable outing, one signaling that Richard's creative star remained firmly in the ascendant. [This U.K. edition features two bonus tracks, the non-album B-sides "Shakin' All Over" and "Hold On."]
Track # Track Time Composer
1 Wired for Sound 3:38 Tarney, Robertson
2 Once in a While 4:41 Tarney
3 Better Than I Know Myself 3:42 Mackenzie, Cooke
4 Oh No, Don't Let Go 3:29 Tarney
5 'Cos I Love That Rock 'n' Roll 4:12 Tarney
6 Broken Doll 4:18 Goulden, Hacon
7 Lost in a Lonely World 4:04 Eaton
8 Summer Rain 4:17 Eaton
9 Young Love 4:04 Tarney
10 Say You Don't Mind 4:03 Tarney
11 Daddy's Home 3:03 Sheppard, Miller
12 Shakin' All Over (*) 2:43 Heath
13 Hold On (*) 3:45 Britten, Shifrin
Price: $12.98     6 Reviews
UK remastered reissue of 1981 album for the British institution once known as 'Britain's answer to Elvis Presley'. 13 tracks including two non-LP B-sides as bonus tracks, 'Shaki...
Back to the topI'm No Hero (Bonus Tracks)
Review by Bret Adams, All Music Guide
Released:
1980
Label:
EMI Music Distribution
Rating:
Styles:
Contemporary Pop/Rock
Pop singer Cliff Richard never achieved the superstar status in the United States that he enjoyed at home in England, but he did have a handful of memorable hits. Two of those hits, "Dreaming" and "A Little in Love," came from 1980's I'm No Hero. Producer/arranger/bass guitarist Alan Tarney wrote most of the songs on I'm No Hero, a pleasant pop album. The Top Ten single "Dreaming" -- co-written by Tarney and '70s pop star Leo Sayer -- is a brilliantly catchy song with a great chorus and passionately aching vocals from Richard throughout. "A Little in Love" is more easygoing but no less enjoyable. "Take Another Look" and "In the Night" are winners too. Richard and Tarney stretch pop's elasticity with interesting arrangements on "I'm No Hero" (with hints of rockabilly, ska, and new wave) and the ballad "A Heart Will Break Tonight." The cover of the original U.S. I'm No Hero album features a shadowy photograph of Richard, whereas the U.K. CD reissue uses a silly illustration picturing Richard as a boxer. This U.K. CD also includes the B-sides "Dynamite" and "Keep On Looking" as bonus tracks.
Track # Track Time Composer
1 Take Another Look 4:11 Tarney
2 Anything I Can Do 4:01 Tarney
3 A Little in Love 3:42 Tarney
4 Here (So Doggone Blue) 3:50 Tarney
5 Give a Little Bit More 3:35 Hill, Hodges
6 In the Night 3:48 Bowkett
7 I'm No Hero 3:25 Spencer, Tarney
8 Dreamin' 3:40 Tarney, Sayer
9 A Heart Will Break 3:59 Spencer, Tarney
10 Everyman 4:11 Tarney
11 Dynamite (*) 3:12 Samwell
12 Keep On Looking (*) 3:40 Tarney
Price: $12.98     8 Reviews
UK remastered reissue of 1980 album for the British institution once known as 'Britain's answer to Elvis Presley'. 12 tracks including two non-LP B-sides as bonus tracks, 'Dynam...
Back to the topGreen Light (Bonus Tracks)
Review by Bruce Eder, All Music Guide
Released:
1978
Label:
EMI Music Distribution
Rating:
Styles:
Contemporary Pop/Rock
Green Light is one of those "lost" late-'70s Cliff Richard albums, dating from the period in which he'd finally made his sound contemporary, but no one was paying too much attention. Everything here is a dead match for "Devil Woman," every bit as appealing and memorable and even better produced, with rippling lead guitars, crisp acoustic rhythm guitars, and elegant piano as part of a high-energy band sound. There isn't a bad song on the album, though the highlights include the title track, "Free My Soul," "While She's Young," and "Please Remember Me," the latter sounding like nothing less than a lost Eagles' number with its harmonies and guitar hooks. This is Richard at his most commercial and appealing, and is a record that deserved to be more widely heard, especially in the United States. Reissued on CD in 1992 paired off with the live album Thank You Very Much, and in 2002 with bonus tracks. [The set's 2002 reissue included three bonus tracks.]
Track # Track Time Composer
1 Green Light 4:05 Tarney
2 Under Lock and Key 3:34 Britten
3 She's a Gypsy 4:14 Dempsey, Bryant
4 Count Me Out 4:15 Britten, Welch
5 Please Remember Me 3:20 Loggins, Woodley
6 Never Even Thought 4:16 Head
7 Free My Soul 3:56 Britten
8 Start All Over Again 4:02 Britten, Robertson
9 While She's Young 2:50 Britten
10 Can't Take the Hurt Anymore 3:52 Andrew
11 Ease Along 4:29 Spencer, Tarney
12 Please Don't Tease (*) 4:47 Chester, Welch
13 Needing a Friend (*) 2:57 Sherwood, Richard
14 Imagine Love (*) 4:20 Tarney, Lordan
Price: $15.49     2 Reviews
European reissue of the 1978 album features the original tracks. EMI. 2005.
Back to the top31st of February Street (Bonus Tracks)
Review by Bruce Eder, All Music Guide
Released:
1974
Label:
EMI Music Distribution
Rating:
Styles:
Contemporary Pop/Rock
Cliff Richard has utilized a lot of guises and personae as a performer -- '50s rock 'n' roller, '60s pop/rock vocalist, Christian musician, '70s rock vocalist, and, since the 1980s, a general U.K. entertainment institution, with a knighthood. But how many listeners ever thought of him as a singer/songwriter? 31st of February was only ever issued in England, and is built on the work of Cliff Richard as a singer/songwriter. He was never known for his composing during the 1960s, and he proves amazingly good at it here; perhaps he was in the same boat as George Harrison, having stockpiled a brace of excellent original songs that just weren't appropriate for use in his earlier situation, but whatever their chronological origins, the original songs, mixed with some well-chosen outside compositions, make 31st of February a bit stronger than his solo albums of the late '60s and early '70s. It's something of a concept album as well, opening and closing with the same haunting Richard-composed tune, and featuring the same tastefully elegant accompaniment throughout; and there are some self-referential moments to his past, such as the very ornate, string orchestra-dominated remake of "Travelin' Light," sounding a bit like "Eleanor Rigby" or "Martha My Dear"; but most of it is hooked around newer material, such as "There You Go Again" and "Our Love Could Be So Real" (both Richard originals). His singing is expressive and subdued, and the elegance of the sound, including the amazingly restrained use of a string orchestra behind a moderately amplified electric accompaniment, coupled with the unified romantic nature of the songs, call to mind those Jimmy Webb/Richard Harris collaborations A Tramp Shining and The Yard Went on Forever, as well as Sinatra's concept albums of the '50s and early '60s. The best moments here are the reflective acoustic-textured songs, such as "Going Away" and the title track, but it's all pleasing and enjoyable, if rather short-lived as a career move. Richard's next studio album would be I'm Nearly Famous, with the career-redefining hit "Devil Woman." [The set's 2004 reissue featured four bonus tracks.]
Track # Track Time Composer
1 31st of February Street (Opening) 1:06 Richard
2 Give Me Back That Old Familiar Feeling 2:31 Graham
3 The Leaving 3:23 Sedgwick
4 Travellin' Light 2:46 Bennett, Tepper
5 There You Go Again 2:56 Richard
6 Nothing to Remind Me 3:00 Richard
7 Our Love Could Be So Real 3:13 Richard
8 No Matter What 3:14 Ashby
9 Fireside Song 3:02 Richard
10 Going Away 3:20 Froggatt
11 Long Long Time 3:03 White
12 You Will Never Know 3:14 Osborne, Kerr
13 The Singer 4:00 Froggatt
14 31st of February Street (Closing) 0:33 Richard
15 Celestial Houses (*) 2:48 Britten
16 Days of Love (*) 3:00 Wright, Hawkshaw
17 Ashes to Ashes (*) 3:06 Cole
18 Love Is Here (*) 2:04 Franklin, Lordan
Price: $18.49     2 Reviews
Digitally remastered UK reissue, originally released in 1974 & only in England, features 18 tracks including 4 B-side bonus tracks, 'Celestial Houses', 'Days Of Love', 'Ashes To As...
Back to the topCliff Live at the Talk of the Town (Remastered)
Review by Bruce Eder, All Music Guide
Released:
1970
Label:
EMI Music Distribution
Rating:
Styles:
Contemporary Pop/Rock
AM Pop
Cliff Live at the Talk of the Town is one of the stranger live albums that anyone is likely to hear from a world-class performer, affording Cliff Richard the chance to sing in a relatively small-scale club setting. Dating from 1970 and produced by Norrie Paramor (who also conducts the orchestra), the record was -- typically for Richard's work of this era -- never released in the United States, but it was apparently reasonably successful in England, where it was released on the mid-priced Starline imprint. It's a strange and frustrating -- yet also eminently successful -- record, somewhat akin to Don't Stop Me Now, Richard's 1967 attempt at updating his music. He embraces a variety of sounds and repertoire here, including American R&B, Northern soul, Broadway show tunes, folk-rock, and pop/rock, and Richard proves good at all of it -- the only problem is that he doesn't stay with any particular repertoire for more than a song at a time, proving himself a powerful all-around entertainer in the process. Opening with a decently effective rendition of "Shout" backed by the female singing group the Breakaways (probably consisting of Vicki Haseman, Margot Quantrell, and Jean Ryder), he slides into the pop "All My Love," then into a strong performance of "Ain't Nothin' But a House Party," which he follows with a show tune medley that includes "If Ever I Would Leave You," and then an impassioned rendition of "Girl You'll Be a Woman Soon." Richard salutes his Shadows bandmate Hank Marvin with a medley of the latter's compositions, including "The Day I Met Marie" in a more engaging performance than the standard's single. He even works in his own solo guitar version of "A Taste of Honey" -- Hank Marvin need not have feared new competition, to judge from the evidence, but Richard does surprisingly well with the piece, and also accompanies himself on Tim Hardin's "The Lady Came from Baltimore." His version of "When I'm Sixty-Four" is a little embarrassing, featuring a rather broad, clunky brass-heavy band sound and lots of mugging, coming after Richard discussing his being referred to as "the old man of rock & roll." He then moves into Richard Harris territory on "What's More (I Don't Need Her)." He's in excellent voice throughout the performance and the recording is of exceptionally good quality, with a close, rich sound displaying lots of presence whether it's the core band backing Richard or the full orchestra. The only problem for most people will be the repertoire, which shifts too easily between pop, rock, and soul, with little acknowledgement of the singer's rock & roll roots, apart from his talk to the audience and memories of his work with Hank Marvin. [The remastered 2007 EMI edition features six bonus tracks.]
Track # Track Time Composer
1 Intro: Congratulations 0:29 Coulter, Martin
2 Shout 3:33 Isley, Isley, Isley
3 All My Love 1:58 Arduini, Callander
4 Ain't Nothin' But a House Party 4:18 Fischer, Thomas
5 Something Good/If Ever I Would Leave You 4:14 Rodgers, Hammerstein, Loewe, Lerner
6 Girl You'll Be a Woman Soon 3:53 Diamond
7 Hanks Medley: London's Not Too Far/The Dreams That I Dream/The Day I Me 6:31 Marvin
8 La La La La La 3:09 Paul
9 A Taste of Honey (Guitar Solo) 2:11 Marlow, Scott
10 The Lady Came from Baltimore 4:27 Hardin
11 When I'm 64 2:53 McCartney, Lennon
12 What's More (I Don't Need Her) 2:41 Flett, Fletcher
13 Bows and Fanfare 2:22 Paramor
14 Congratulations 2:38 Martin, Coulter
15 Visions 1:10 Ferris
16 Finale (Congratulations) 0:49 Coulter, Martin
17 Wonderful World (*) 2:39 Flett, Fletcher
18 Do You Remember (*) 2:31 Scott
19 The Sound of the Candyman's Trumpet (*) 2:39 Bron Associated Publishing Ltd
20 Little Rag Doll (*) 2:16 Leander
Price: $12.98
2007 Digitally Remastered Reissue in a Series of Releases that Makes Classic Albums by Sir Cliff Available in the Digital Age. All Titles in the Series Feature Tracks that were Pre...
Back to the topThe Young Ones (Bonus Tracks)
Review by Dave Thompson, All Music Guide
Released:
1961
Label:
EMI Music Distribution
Styles:
Rock & Roll
Early Pop/Rock
British Invasion
Contemporary Pop/Rock
Teen Idols
Early British Pop/Rock
Cliff Richard's third movie was his first to be simultaneously granted a full soundtrack album, as opposed to the four-track EPs which accompanied Serious Charge and Expresso Bongo -- it was, however, also the first to be conceived as a full-fledged musical, and the soundtrack for The Young Ones captures the sheer exuberance and joy of that concept. The story of a millionaire's pop-singing son who helps save a local youth club from closing, The Young Ones was promoted upon its release as "the first film ever to have three hits in the Top 10" -- a stupendous claim which actually sold itself short. Richard's "When the Girl in Your Arms" and the million-selling title track were joined not only by the Shadows' "The Savage," but also by the inclusion of "Living Doll" in the vaudeville routine. Aside from the Shadows (appearing in both instrumental and vocal roles), Richard is also accompanied by singer Grazina Frame -- the pair duet on "Nothing Is Impossible," while Frame alone performs "No-One for Me But Nicky." The implausibly polite-sounding Michael Sammes Singers, too, throw their considerable weight behind several performances, including "Mambo" and the aforementioned vaudeville routine, an eight-minute medley of corny jokes and lighthearted music which, unfortunately (but hardly surprisingly) works a lot better on film than on record. As a listening experience, then, the highlights of The Young Ones tend to be those you would expect -- Richard's solo performances ("Got a Funny Feeling," "We Say Yeah," "Lessons in Love") and the hit singles. Nevertheless, it remains an historic release, as its title track became the first single by a British artist ever to enter the chart at number one (on January 11, 1962), and only the fourth overall. Another domestic record was set by the song's six-week tenure in the pole position, a record which Richard retained until the Shadows, of all people, snatched it for themselves. The soundtrack itself topped the chart for another six weeks, and spent longer on the U.K. listings than any other Cliff Richard album before or since. And finally, The Young Ones itself remains one of the highest grossing homegrown music films in British cinema history. Just don't expect the album to be as much fun as the movie. [This version of the release contains bonus material.]
Track # Track Time Composer
1 Friday Night 2:50 Myers, Cass
2 Got a Funny Feeling 2:56 Welch, Marvin
3 Peace Pipe 2:13 Paramor
4 Nothing's Impossible 3:29 Myers, Cass
5 The Young Ones 3:11 Tepper, Bennett
6 All for One 4:51 Myers, Cass
7 Lessons in Love 2:50 Wolfe, Soloway
8 No One for Me But Nicky 3:26 Myers, Cass
9 What d'You Know We've Got a Show & Vaudeville Routine: Have a Smile for 8:01 Cunningham, Brennan, Norris, Lee, Woods, Arthurs, Rolmaz, Rule, Leigh, Cass, Baston, Myers
10 When the Girl in Your Arms Is the Girl in Your Heart 2:25 Tepper, Bennett
11 Mambo: Just Dance/Mood Mambo 3:02 Cass, Myers, Black
12 The Savage 2:24 Paramor
13 We Say Yeah 2:12 Gormley, Welch, Marvin
14 (It's) Wonderful to Be Young (Alternate Version)(Alternate Take)(*) 2:30 David, Bacharach
15 The Young Ones (Undubbed Version)(*) 3:09 Bennett, Tepper
16 Got a Funny Feeling (Alternate Version)(Alternate Take)(*) 2:58 Marvin, Welch
Price: $12.98
This Cliff Richard album served as the soundtrack to the movie The Young Ones. Remastered and full of memorabilia relating to the film, the CD includes a 'History of the Movie' ess...
Back to the topListen to Cliff! (EMI)
Review by Dave Thompson, All Music Guide
Released:
1959
Rating:
Styles:
Rock & Roll
Early Pop/Rock
British Invasion
Contemporary Pop/Rock
Teen Idols
Early British Pop/Rock
Tracing Cliff Richard's progress through his first four albums, one can only marvel at the ease with which he fit into whatever mold the material demanded. Bursting out on Cliff, slowing down on Cliff Sings, rocking up for Me and My Shadows (1960) -- by the time of Listen to Cliff!, he was arguably the most accomplished, and certainly the most adventurous, vocalist to emerge from the entire rock & roll boom, British or American. And from a exhaustingly maniacal "What'd I Say," through to a dementedly infectious "Beat Out Dat Rhythm on a Drum," there's not a soul that could touch him for versatility. The musician credits place Listen to Cliff in precisely the context which producer Norrie Paramor had been striving towards across those past changes -- it really does feature something for everyone. The Shadows back him on eight of the 16 tracks; Paramor's own orchestra take over for four more; and the impossibly exotically inclined Bernard Ebbinghouse Band are the impetus behind the album's most adventurously atypical cuts, the jazz-tinged "Almost Like Being in Love," the sleazy torch "Sentimental Journey," a furiously Latin "Lover," and, of course, "Beat Out That Rhythm on a Drum," a magnificent performance which falls somewhere between a lost James Bond theme and a debauched gypsy hootenanny. The musicians never take the easy route out of any situation. A rocking "Blue Moon" would have made a distinctly utilitarian Shadows showcase, so the Paramor Orchestra steps in instead. Similarly, the Orchestra would have swamped "Unchained Melody" in syrup -- so Cliff performs it with the Shadows, and a Hank Marvin guitar which is as heartfelt as the lyric. And finally, the Ebbinghouse team could have executed "Temptation" in their sleep. So Paramor takes that one as well, and combines with Cliff to devilish effect. The boy may look goofy on the album's back cover, but his performance here is almost sinful. In the final analysis, there might be a little too much going on for Listen to Cliff to be a truly successful album, and too much chopping and changing to sustain the listener's attention. But the performances are exemplary, the material is strong, and Norrie Paramor's original liner notes are an absolute treat as well. "Cliff felt that he wanted to give you something unusual this time," the producer tells us. He certainly succeeded on that count!
Track # Track Time Composer
1 What'd I Say N/A Charles
2 Blue Moon N/A Rodgers, Hart
3 True Love Will Come to You N/A Chester, Welch
4 Lover N/A Rodgers, Hart
5 Unchained Melody N/A Zaret, North
6 Idle Gossip N/A Huddleston, Meyer
7 First Lesson in Love N/A Welch, Chester
8 Almost Like Being in Love N/A Lerner, Loewe
9 Beat out Dat Rhythm on a Drum N/A Bizet, Hammerstein
10 Memories Linger On N/A Chester, Welch
11 Temptation N/A Brown, Freed
12 I Live for You N/A Chester, Welch
13 Sentimental Journey N/A Green, Brown, Homer
14 I Want You to Know N/A Bartholomew, Domino
15 We Kiss in a Shadow N/A Rodgers, Hammerstein
16 It's You N/A Chester, Welch
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