The days were generous with challenges. Oftentimes, there would be nowhere I could go to have quiet. In the winter, I couldn't sit in my car or go outside to work, and late at night there's little open but loud bars. So I learned to adapt t...
http://www.sptimes.com/2007/07/15/Features/For_minstrel...
I work as a stand up comedian sometimes and so I’m aware of the basic dynamics of performance and knowing a little bit about how to craft a joke, I have some knowledge of public / popular space in how I approach character-voice in my poems....
http://robmclennan.blogspot.com/2008/08/12-or-20-questi...
Dan Gilbert: I think not. I think my creative process is probably as mundane as most of them are. You know, we … we … I think we glamorize creativity. We imagine that somebody is sleeping and wakes up and says, “Eureka!” Most of the time, c...
http://www.bigthink.com/inspiration/110
You CAN NOT USE Six Sigma for software development. It's ridiculous. It's intended for manufacturing operations ONLY, where you have a high volume fixed process being repeated over and over! THEN it makes sense to talk about measuring so ma...
http://www.linkedin.com/answers/business-operations/man...
Creative Process is designed to prepare you to recognize, understand, articulate, and utilize your creative abilities. Your experiences in this course, working with other students from disciplines across campus, will provide you with a conc...
http://www.art-design.umich.edu/news/?p=172
When it come to a print it depends on what kid of job we are working on. If it is an art print, I have the control over it from an approval standpoint so that is a totally different experience than working with a client. When we work with a...
http://stickersanddonuts.com/2008/09/16/poster-party-da...
That's really horrible. Great art is not what we should aspire to in life. We should aspire to lead a good life. Art is not life. It can be life support, it can be a byproduct of life. A person's art should reflect his life, but first you n...
http://www.salon.com/ent/music/int/1998/05/22int2.html