Marriage à-la-mode is a series of six pictures painted by William Hogarth
between 1743 and 1745 depicting a pointed skewering of upper class 18th
The first of Hogarth's satirical moralising series of engravings that took the upper
echelons of society as its subject was 'Marriage A-la-Mode'. The paintings were ...
The satirical thrust of Marriage A-la-Mode is as much about patronage, aesthetics
and taste as it is about marriage and morals. Over and above the title itself, ...
William Hogarth, Marriage A-la-Mode, c. 1743, oil on canvas, 69.9 x 90.8 cm (The
National Gallery, London) 1. The Marriage Settlement 2. The Tête à Tête 3, ...
This is Scene 1 of the series of six, entitled The Marriage Settlement. ... Marriage
à la Mode, 'representing a Variety of Modern Occurrences in High-Life', was ...
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Aug 31, 2013 ... William Hogarth, Marriage A-la-Mode, c. 1743, oil on canvas, 69.9 x 90.8 cm (The
National Gallery, London) More free lessons at: ...
Between 1743 and 1745 he created a series of six paintings called Marriage à-la
-mode (the French “mariage à la mode” means “fashionable marriage”).
In his Marriage a la Mode there is even an intrigue carried on throughout the
piece. He is more true to character than Congreve; each personage is distinct
www.darvillsrareprints.com/hogarth marriage a la mode.htm
Technically more sophisticated than Hogarth's other progresses, Marriage à la
Mode was aimed at the upper middle class and the aristocracy, a smaller, more ...
Marriage à la Mode, a series of six etchings by English engraver and painter
William Hogarth, was printed as social commentary for the 18th-century audience