“High School” Review: Tender, Indie Look at ‘90s Teens Tegan and Sara

6 Great — and 6 Horror-ble — Stephen King Adaptations

“Van der Valk” Season 2 Review: Amsterdam Stands Out Again in This PBS Masterpiece Police Procedural

“Don’t Worry Darling” Review: Olivia Wilde’s Fake ‘50s Utopia With Florence Pugh and Harry Styles

“Andor” Review: Diego Luna Returns to the Star Wars Universe With New Disney+ Show

“The Woman King” Review: Viola Davis Is Fearless in Inspiring Film About Women Warriors

“Lord of the Rings: The Rings of Power” Review: Amazon’s Uninspired Yet Expensive Return to Middle-earth

“A League of Their Own” Review: Queer Update Is a Grand Slam


“House of the Dragon” Review: Outstanding Prequel to “Game of Thrones” Shares the Same Ingredients

“Bad Sisters” Season 1 Review: Apple TV+ Comedic Murder Mystery From “Catastrophe” Star and Creator

“She-Hulk: Attorney at Law” Review: Marvel’s Latest Show Tries Too Hard to Be Funny and Feminist

“Bullet Train” Review: Brad Pitt Leads a Star-Packed Ensemble in Action-Comedy by “Deadpool 2” Director

Harley Quinn Season 3 Review: HBO’s Queer Romp Boasts Peerless Writing

“The Gray Man” Review: Ryan Gosling’s Over-the-Top New Movie Doesn’t Hook the Way “Extraction” Did

“Where the Crawdads Sing” Review: A Fitting Movie Adaptation From a Melodramatic Bestseller

“Persuasion” Review: New Jane Austen Adaptation Achieves Swoony Romance and Female Empowerment

“The Sea Beast” Review: Sea Creatures and a Spunky Protagonist in New Netflix Animation

“Thor: Love and Thunder” Review: Chris Hemsworth Can’t Lift This Sequel